What was marshall mathers first album
A critic for The Villiage Voice gave the album an A saying it's "a record that rarely flags for more than two or three tracks" and called Eminem "exceptionally witty and musical, discernibly thoughtful and good-hearted, indubitably dangerous and full of shit", while declaring the album "a work of art whose immense entertainment value in no way compromises its intimations of a pathology that's both personal and political".
An Allmusic review called the album "fairly brilliant". NME described the album as a "[g]ruelling assault course of lyrical genius". Entertamient Weekly called it "indefensible and critic-proof, hypocritical and heartbreaking, unlistenable and undeniable" and "the first great pop record of the 21st century". Rolling stone gave the record a 4 out o 5 stars saying that it's "a car-crash record: loud, wild, dangerous, out of control, grotesque, unsettling.
It's also impossible to pull your ears away from". Eminem Wiki Explore. Fan Pages. Cover Art Fan Albums. Explore Wikis Community Central.
Register Don't have an account? The Marshall Mathers LP. Edit source History Talk 0. Title Length 1. Appointment phone call 2. Miz Jerkoff phone call 3. Intro 4. Fat Beats Skit 5. Curtis Skit 6. Man With Van Skit 7. Carry Out Skit 8. Rex Skit 9. Mimi Outro No. Title Writer s Producer s Length 1.
Public Service Announcement 2. Dre , Mel-Man 3. Stan feat. Paul Skit Paul "Bunyan" Rosenberg 5. Dre, Mel-Man 6. Dre, Mel-Man 9. Remember Me? Dre, Mel-Man Ken Kaniff Skit Drug Ballad feat. Dina Rae Mathers, J. Bass, M. American culture allowed Eminem to freely negate any kind of identity he wanted to, as was his inherent privilege. His privilege meant that he could shed his racial signifiers and become a ghost, a psychopath, a loving father, a bigot, a clown.
So why do fans believe any of this? Part of it has to do with that virtuosity. If contemporaries like OutKast and Ghostface grew their albums from the soil, Eminem grew his from the salted earth. It would be one thing if Eminem simply loved language, but more than that, he loves the tradition of rapping, this guy whose passion was donated to him by hip-hop at an early age, a vocation that rescued him from the status quo of poverty, that kept him from becoming among the millions just like someone else.
At his best, he is like watching a gymnast spin on the parallel bars in slow motion:. Part of it, too, was the fantasy he offered. Here was a guy who put to carefully chosen words the feeling of being broke, at the end of your rope, jealous and backed up into a corner. But the anger and trauma he conjured from his childhood of abuse and bullying felt uncomfortably real in all his performances.
This album is categorically music for kids, and it rests on the shelf as a time capsule from the last big cultural flashpoint of the 20th century. And the targets of that hate—women, the LGBTQ community—are the same people that those in power seek to marginalize. To say otherwise is to rob great art of its power.
Eminem is not rebelling against authority. This is vicious, old-fashioned bigotry. He casts himself as the obsessed fan, Stan, and fires off three letters to himself with escalating severity until we find out that, having drawn inspiration from Slim Shady, Stan kills his own pregnant wife and himself in a car crash. On the fourth verse, Eminem steps into back into a calm Marshall Mathers to respond, tender and apologetic.
It is the lodestar, the faint and slow-beating heart of the album. The song is the key Rorschach test into the indulgent fame-drenched persecution complex of Mathers at the time.
As the song ends, Elton John trots out to meet Eminem centerstage. After taking a 4-year long hiatus, Eminem was back. Shaking off the criticism from his last album and revealing a personal struggle with prescription drugs, Eminem was honest, cut-throat and surprisingly more chaotic than he ever had been. Relapse debuted at number one on the Billboard charts and sold , copies in its first week.
It also earned Eminem his fourth Grammy win. Although the title was fitting for the album, it was quite the opposite for Eminem and his career as he showed he was only improving. Creating alliances with Pink, Lil Wayne and Rihanna on the album, Eminem earned himself several awards and sales from audiences he probably never had before.
The themes surrounding Recovery were more introspective and emotional, with Eminem tackling anxiety, positive changes and emotional drivers, all in his classic storyteller way. The album became the best-selling album of in the US and worldwide and has since sold over 10 million copies worldwide.
With guest appearances from Skylar Grey, Kendrick Lamar and Rihanna, Eminem proved that he could work into mainstream media and excel at it.
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